From the original 2020 watercolour painting by Max Panks. Originally painted as a result of Max's time working as a performer on cruise ships in the Mediterranean. This was one of his most popular works of the early 2020s, selling in the hundreds as prints and cards. This strictly limited Giclee print is now available with 30% off as an A3 Giclee Fine Art Print on www.MaxPanks.com
Only 75 A3 collector's edition prints available
- Museum-quality Giclée print
- Printed on premium fine art watercolour rag
- Unframed • Ships securely from the UK
Why this is different:
- Original artwork (not digital illustration)
- Limited run of 75 only
- Pigment ink Giclée printing (museum-grade, long-lasting)
- Each print individually hand signed and numbered
- Shipped with letter of authenticity
A3 collector's limited edition of 75 – once sold, it will not be reprinted.
Title: The Colosseum, Rome
Number of Limited Prints Available: A3 1/75
Options: A3 / Greetings Card
Gallery grade pigment on fine art watercolour paper
Unframed
* For information about the original painting, which is still available, please contact Max via email
maxpanksart@gmail.com*
About Max Panks
Graduating from London College of Music in 2013, Max Panks, artist and actor, has been painting exclusively with watercolour for the last 8 years, developing a style characterised by movement and speed aiming to tell a story with as few brush marks as possible. In 2021, he appeared on Sky Arts' Landscape Artist of the Year as a winning wildcard contestant, and has since worked in collaboration with Cass Art, leading tutorials and workshops in store. In recent months, Max has expanded his artistic reach into the whisky world. His work has been commissioned and featured commercially by Fragrant Drops, an independent bottler, as well as by Ardray Whisky, a blender.
Max’s dual career as an actor has taken him (and his palette) all over the world, affording him the unique opportunity to immerse himself in a myriad of cultures and settings, providing him with an ocean of subjects to draw upon, and having worked in London’s West End, touring shows, as well as performing on cruise ships in Europe and the Americas, the stark differences captured in his work is brought to light.
